Elgin marbles collection of ancient greek sculptures and architectural details in the british museum london where they are now called the parthenon sculptures.
British marbles museum.
The objects were removed from the parthenon at athens and from other ancient buildings and shipped to england by arrangement of thomas.
More recently the institution has gone on to argue that it sheltered and preserved the marbles from environmental damage as the parthenon was.
The parthenon marbles in the british museum are a collection of classical greek marble sculptures depicting scenes from greek mythology that were originally part of the parthenon and other buildings on the acropolis of athens.
When the marbles were shipped to england they were an instant success among many who admired the sculptures and supported their arrival but both the sculptures and elgin also received criticism from detractors.
Ian jenkins the parthenon sculptures in the british museum british museum press 2007 ian jenkins greek architecture and its sculpture in the british museum british museum press 2006 mary beard the parthenon profile 2002 william st clair lord elgin and the marbles 3rd edition oxford university press 1998.
End of meanwhile a fourth simply.
Unfortunately the parthenon marbles in the british museum have been known by many as the elgin marbles.
Lord elgin began negotiations for the sale of the collection to the british museum in 1811 but negotiations failed despite the support of british artists after the government.
Greece s government says the sculptures were stolen from athens in the 19th century and should be returned.
On december 5 the british museum announced that it would loan a piece of the elgin marbles to the state hermitage museum in st.
The amaravati sculptures have also been called the elliot marbles on account of their association.
The elgin marbles are british owned purchased by the crown from lord elgin in 1816 and presented by parliament to the british museum.
The british museum would in turn begin to justify its possession of the marbles by positioning itself as preservers of the sculptures which the ottomans had taken to grinding up for limestone.
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